REVIEW BY CARY GINELL Moonlight and Magnolias is playwright Ron Hutchinson's dramatic conjecture about what might have happened behind closed doors during the creation of the most talked about motion…
REVIEW BY CARY GINELL In Theater League's new traveling production of Camelot, the venerable musical is described as "the story as you've never seen it before." Given Theater League's penchant of…
BY CARY GINELL For their current touring production of Camelot, which plays this weekend at the Thousand Oaks Civic Arts Plaza, Theater League, in conjunction with Phoenix Entertainment, continues the show's…
REVIEW BY NATALIA VIVINO Last Sunday, YA4Ever’s production of Spring Awakening completed its run to a full house at the Hillcrest Center for the Arts. Seats were hard to come by, and for…
REVIEW BY NATALIA VIVINO On Friday, January 9, I had the pleasure of attending Agoura High School’s first-ever production of Bubble Boy, an original musical created by Cinco Paul and…
BY CARY GINELL As we close 2014, many theater critics not unexpectedly take stock of performances seen during the past twelve months. I am no different, and although many critics…
REVIEW BY CARY GINELL Getting the public to accept a new Christmas play or musical is a difficult task, given that the holiday itself is based on long-standing traditions that…
REVIEW BY CARY GINELL Theater League's national tour of Beauty and the Beast is in town this week, playing six performances at the Thousand Oaks Civic Arts Plaza through Sunday, and it's…
REVIEW BY NATALIA VIVINO You’d be lying if you said you’ve never been curious about what happens backstage during a live show, and English playwright Michael Frayne had the chance…
BY CARY GINELL In the second installment of our interview with Sam Harris, Sam talks about why he selects particular material, and about his aborted attempt to do a Broadway…