In Author, Cary Ginell
07/17/2019
With gun violence and immigration continuing to be front page news, West Side Story remains one of our most relevant and thought-provoking musicals. Since its debut on Broadway 60 years…
In British playwright Joe Penhall’s Blue/Orange, Christopher is a patient in a London psychiatric hospital who has been admitted under a “Section 2” for what has been diagnosed as a “borderline…
Plays that show characters changing through the years are some of the most challenging actors can experience. In the 1976 Off-Broadway play Vanities, author/playwright Jack Heifner focuses on three Texas…
Today we received a letter from Andrew Landecker, senior film student at Calabasas High School who played the role of Amos Hart in the school’s March production of Chicago. Here’s what…
In a world that is consumed by political correctness, Avenue Q, which made its debut at the Conejo Players Theatre May 3 for a brief two-weekend run, shatters Broadway…
Camelot, the original “Game of Thrones,” is familiar to theater and film fans through its highly successful stage productions but a new ballet, produced by Pacific Festival Ballet, makes…
Its theater is definitely of the no-frills variety, a black box constructed in the space of two public storage units in an industrial park in Ventura, but there is…
Next week, former Cabrillo Music Theater artistic director Lewis Wilkenfeld returns to Thousand Oaks to direct Matilda, the story about a precocious English girl who uses books and literacy to…
Ragtime, Lynn Ahrens and Stephen Flaherty’s musicalized version of E. L. Doctorow’s novel about a quickly changing America at the turn of the 20th century, has received a new…
Musical Theatre Guild’s latest staged reading, Minnie’s Boys, was performed at Glendale’s Alex Theatre on Sunday, February 10, and although it was great to finally get to see this rarely…
